Hamada Shoji (1894-1978) Vintage mashiko pottery brush marked teabowl #4362 for sale

Up for sale is this "Hamada Shoji (1894-1978) Vintage mashiko pottery brush marked teabowl #4362" If you have any questions please contact us before buy it. No reserve.

- width: approx. 13cm (5 1⁄8in)

- height: approx. 7.5cm (2 61⁄64in)

- weight: 325g (w /box 609g)

Hamada Shoji (1894-1978)

Hamada Shoji was a renowned craftsman and representative figure in modern Japanese pottery. Born in Tokyo in 1894, he resolved to become a potter while still a student at Furitsuicchu (the Tokyo First Prefectural Jr. High School, Hibiya high school at present). After studying ceramics at the Tokyo Higher Technical School (present-day Tokyo Institute of Technology), Hamada joined the Kyoto Municipal Ceramic Laboratory, where he would meet his lifelong friend, Kawai Kanjiro. As Hamada later summarized the narrative arc of his career, “I found the path in Kyoto, began my journey in England, studied in Okinawa, and developed in Mashiko.” In 1920, he accompanied Bernard Leach to England where he began his practice as a potter. When the time came to return home to Japan, he sought a quiet life in the countryside, and situated himself in the town of Mashiko in 1924. During this period, he also made an extended sojourn in Okinawa, which became the inspiration for a large number of works. In 1930, he relocated the building which would later become the main residence of his compound (later donated to the Ceramic Art Messe Mashiko), and in the years up until 1942, transplanted many traditional old houses onto the premises to create a workshop and residence. It was from this base that he founded the Mingei folk-art movement along with cohorts Yanagi Soetsu and Kawai Kanjiro, which was to have a significant impact on the Japanese craft world. In 1955, Hamada was recognized along with Tomimoto Kenkichi et. Al. as an inaugural recipient of the Japanese government’s “Preserver of Important Intangible Cultural Properties” (Living National Treasure) designation, and in 1968, became the third potter to be awarded the prestigious Order of Culture.

 

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