Kato Takeshi 'shino chawan' vintage glazed tea bowl #4142 for sale

Up for sale is this "Kato Takeshi 'shino chawan' vintage glazed tea bowl #4142" If you have any questions please contact us before buy it. No reserve.

- width: approx. 10.5cm (4 9⁄64in)

- tall: approx. 10cm (3 15⁄16in)

- weight: 436g (gross 691g) 

1947-
From Toki. Graduated from Tajimi High School. Studied under Ohashi Momonosuke, Kobayashi Fumikazu, and Chikada Seiji. Later studied under Uchida Kunio in Kyoto. Started a kiln in 1973. Held private exhibitions at International Hotel Nagoya, the Odakyu in Shinjuku, the Isetan, and other venues. Works focus on Shino ware.

Shino ware
Shino ware is one technique of ceramic art that flourished during the tea ceremony craze of the Momoyama period; it was the first white pottery to be created in Japan. Due to its white color, images can be drawn on the sides, also making it the first pottery in Japan to feature brushed-on paintings. Although it declined in popularity after the Edo period, at 1930 the early of the Showa era the discovery of old Shino kilns by Arakawa Toyozo ( 1894 – 1985 ) along with subsequent research led to a second revival for this art form.
In the traditional method of production, a mould is cast using eggshell-colored "Mogusa" dirt, a specialty of the Mino region with a light stickiness like brown sugar, after which a thick feldspar glaze is applied and the pottery is fired.
Shino ware has its origins in the traditional incense smelling ceremony of the Muromachi period where it belonged to the "Shino School", founded by Shino Soshin ( ? – 1480 ) who was ordered to produce pottery for the Mino region. Let's take a look at several representative techniques of this ceramic art.

Muji (Plain) Shino
Simple and unpatterned, with a white glaze.

E Shino
Images are drawn beneath the white glaze. Images are drawn on the first coat with a metal powder known as "onisaka", after which another layer of glaze is applied and the pottery is baked.

Nezumi Shino
Has a white pattern done in an inlay style. Baked after the base coat of onisaka is scraped off, which results in the remaining metal particles turning red and grey with the scraped off portions remaining white.

Aka Shino
Although fired using the same method as Nezumi Shino, those that come out red are called this.

Beni Shino
Metal images are drawn like in red raku pottery, and the pottery is fired after a coat of Shino glaze is applied.

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